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歐陸迪斯科

維基百科，自由的百科全書
歐陸迪斯科
Eurodisco
風格起源
文化起源20世紀70年代中期的西德、法國、意大利和英國。[4][5]
衍生形式
類型分支
意大利迪斯科（英語：Italo disco）[17]
融合類型
太空迪斯科
其他主題

歐陸迪斯科 (英語：Eurodisco；有時也寫為Euro disco或Euro-disco)是一種電子音樂流派，由20世紀70年代中期的迪斯科演變而來，[18]該音樂流派在純電子化、機械化和未來主義的元素中融入了歐陸流行樂，[19][20]該音樂流派浮現了很多歐洲音樂製作人和音樂家，其中有喬治·莫羅德爾，馬克·塞羅內（英語：Marc Cerrone）和弗蘭克·法里安（英語：Frank Farian），在改編美國迪斯科音樂時也融入了歐陸流行音樂和使用最新的音樂技術，如鼓機（英語：drum machine）、電子鼓和合成器，從而形成了這一流派。[21]

許多歐洲舞曲的歌詞都是用英語演唱的，儘管演唱者的母語往往不同。此外，該流派還被認為是電子舞曲最早的形式之一，[22][23]同時也被認為是後來電子音樂流派如浩室、歐陸舞曲和科技舞曲的先驅。

影響

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到了1983年，歐陸迪斯科的影響已滲透到美國的舞蹈和流行樂領域，歐洲的製作人和詞曲作者為美國新一代的表演者帶來了靈感。儘管1979年迪斯科在美國的倒退宣告了迪斯科的 "死亡"，但隨後歐陸迪斯科風格的成功跨越了搖滾、流行和舞蹈的界限，例如有Blondie的《Call Me（英語：Call Me (Blondie song)）》和勞拉·布拉尼根的《Gloria》。[24]

其中勞拉·布拉尼根的《Branigan（英語：Branigan (album)）》和《Branigan 2（英語：Branigan 2）》（由德國製作人傑克·懷特（英語：Jack White (music producer)）製作）與喬治·莫羅德爾為音樂負責製作的美國樂隊柏林（英語：Berlin (band)）和艾琳·卡拉一起，更深入地融入了歐陸迪斯科風格，並獲得了的成功。到了1984年，許多國家的音樂家都開始製作歐陸迪斯科風格的歌曲。在德國，這種音樂的著名實踐者包括Modern Talking、Arabesque（英語：Arabesque (group)）、Sandra（英語：Sandra (singer)）、Fancy（英語：Fancy (singer)）、Silent Circle（英語：Silent Circle）、馬克·馬瑞恩、蓮·露絲和C. C. Catch。在丹麥的Laban、法國的Magazine 60（英語：Magazine 60）、Début de Soirée（英語：Début de Soirée）和Monte Kristo（英語：Monte Kristo）、瑞典的Troll、西班牙的New Baccara和Joy（英語：Joy (Austrian band)）等也與德國藝術家一起在20世紀80年代中後期鞏固了歐陸迪斯科的音樂地位。

在中國大陸，歐陸迪斯科通過香港DJ楊振龍Alex的混音專輯《東方荷里活明星舞會》（荷東）的傳播而普及，該專輯以楊振龍駐場的舞廳「東方荷里活明星舞會」命名。「荷東」以及後來發佈的專輯《猛士》成為了歐陸迪斯科的代名詞[25][26]。

1980年，歐陸迪斯科風行於美國的越南僑民社區，被稱為New Wave，並出現了大量歐陸迪斯科歌曲的越南語翻唱（英語：Vietnamese diasporic music）[27]。

參見

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參考文獻

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  1. ^ Horn, David; Shepherd, John. Continuum Encyclopedia of Popular Music of the World Volume 8. Bloomsbury Publishing. 8 March 2012. ISBN 978-1-4411-4874-2 –透過Google Books. 
  2. ^ Koskoff, Ellen. The Garland Encyclopedia of World Music. Taylor & Francis. 25 September 2017 [2024-06-20]. ISBN 9781351544146. （原始內容存檔於2024-06-20） –透過Google Books. 
  3. ^ Peter Shapiro. Turn the Beat Around: The Secret History of Disco. Macmillan + ORM. 23 June 2015. ISBN 978-1-4668-9412-9. The following year, the flip, 「Baby Come Back,」 becomes a huge hit across Europe, setting in motion Europop and soon Eurodisco. 
  4. ^ Electronica, Dance and Club Music. Routledge. 5 July 2017 [May 31, 2024]. ISBN 978-1-351-56854-8. ... eurodisco emerged in the mid - 70s and revolved around a simplifica- tion of early disco's polyrhythmic percussion , which it reduced to a pound- ing bass beat ... 
  5. ^ Wodtke, Larissa. Dance-Punk. Bloomsbury Publishing. 6 April 2023 [2024-06-20]. ISBN 9781501381874. （原始內容存檔於2024-06-20） –透過Google Books. ... instead of coming from Eurodisco strongholds in Germany, Italy, or France, the best imports right now are from England... 
  6. ^ Kuligowski, Waldemar; Poprawski, Marcin. Festivals and Values Music, Community Engagement and Organisational Symbolism. Springer International Publishing. 27 November 2023 [2024-06-20]. ISBN 9783031397523. （原始內容存檔於2024-06-20） –透過Google Books. disco polo , a musical genre combining influences from Italian and German eurodisco and Belarusian , Ukrainian and Balkan folk melodies , with kitsch lyrics mainly about ( heterosexual ) love ( Socha 2020 ). 
  7. ^ Ellis, Iain. Rebels Wit Attitude Subversive Rock Humorists. Soft Skull Press. 29 October 2008 [2024-06-20]. ISBN 9781593763350. （原始內容存檔於2024-06-20） –透過Google Books. ... Fischerspooner and Chilly Gonzales have also embraced the "electroclash" style-a camp mutation of Euro-disco and new wave-as the vehicle for their own campaigns of identity fluidity... 
  8. ^ Morley, David; Ang, Ien. Cultural Studies. Taylor & Francis. 3 August 2005 [2024-06-20]. ISBN 9781134957927. （原始內容存檔於2024-06-20） –透過Google Books. Eurorecords had to have immediate cross-national appeal, musical simplicity was of the essence- a bouncy beat, just one chorus hook, elementary lyrics. The fun of these records was entirely a matter of sound quality, but once a record was a hit it took on a kind of sleazy, nostalgic charm of its own. It was precisely the brazen utility of these records, in short, that gave them gay disco consumer appeal too.[...] Eurodisco also had an obvious element of camp -British club audiences took delight in the very gap between the grand gestures of Eurosingers and the vacuity of their songs. 
  9. ^ Bogdanov, Vladimir; Woodstra, Chris; Bush, John; Erlewine, Stephen Thomas. All Music Guide to Electronica: The Definitive Guide to Electronic Music. Backbeat Books. 2001 [May 31, 2024]. ISBN 978-0-87930-628-1. 
  10. ^ Le Menestrel, Sara. The Color of Music: Social Boundaries and Stereotypes in Southwest Louisiana French Music. Southern Cultures. 2007, 13 (3): 87–105 [2024-06-20]. ISSN 1068-8218. JSTOR 26391066. （原始內容存檔於2023-12-03）. 
  11. ^ Hasselhoff, David; Thompson, Peter. Don't Hassel the Hoff The Autobiography. St. Martin's Press. 15 May 2007. ISBN 9781429901062 –透過Google Books. Simon invited me to work with Stock, Aitken and Waterman, Britain's biggest hit-makers of the 1980s whose work favoured a high-spirited blend of pop music and Hi-NRG, a high-tech version of Euro-disco. I checked into the Piccadilly Hotel 
  12. ^ Schütte, Uwe. German Pop Music A Companion. De Gruyter. 11 January 2017 [2024-06-20]. ISBN 9783110423549. （原始內容存檔於2024-06-12） –透過Google Books. Like Frankfurt, Munich also had a (more indirect) house and techno pre-history via the Eurodisco sound associated with Giorgio Moroder. 
  13. ^ Decentring Dancing Texts The Challenge of Interpreting Dances. Palgrave Macmillan UK. 24 July 2008 [2024-06-20]. ISBN 9780230584426. （原始內容存檔於2024-06-20） –透過Google Books. 
  14. ^ Borthwick, Stuart; Moy, Ron. Popular Music Genres: an Introduction. Routledge. 15 April 2020 [2024-06-20]. ISBN 978-0-7486-1745-6. （原始內容存檔於2023-12-16） –透過Google Books. 
  15. ^ How Synthwave Grew from a Niche '80s Throwback to a Current Phenomenon. Popmatters. 25 November 2019 [May 31, 2024]. （原始內容存檔於2019-11-28）. 
  16. ^ Schütte, Uwe. German Pop Music A Companion. De Gruyter. 11 January 2017 [2024-06-20]. ISBN 9783110423549. （原始內容存檔於2024-06-12） –透過Google Books. Like Frankfurt, Munich also had a (more indirect) house and techno pre-history via the Eurodisco sound associated with Giorgio Moroder. 
  17. ^ Beatnick, Mr. The Essential... Giorgio Moroder. Fact Magazine. 2013-04-21 [2024-06-18]. （原始內容存檔於2024-06-18） （美國英語）. 
  18. ^ Evans, Mike. 30-Second Rock Music - The 50 Key Styles, Artists and Happenings Each Explained in Half a Minute. Ivy Press. 4 October 2018 [2024-06-20]. ISBN 9781782405542. （原始內容存檔於2024-06-20） –透過Google Books. 'Euro Disco', an electronic music style popularized by producers like Giorgio Moroder. 
  19. ^ Shapiro, Peter. Turn the Beat Around: The Secret History of Disco. Macmillan + ORM. 2015-06-23. ISBN 978-1-4668-9412-9 （英語）. 
  20. ^ Ellen Koskoff, Ellen. The Garland Encyclopedia of World Music The United States and Canada · Volume 3. Taylor & Francis. 25 September 2017 [2024-06-20]. ISBN 9781351544146. （原始內容存檔於2024-06-20） –透過Google Books. Rhythm and blues disco was joined by Eurodisco, a style from the continent that relied largely on synthesized instrumentation and effects. Lacking the footing in the rhythm and blues idioms that carried American disco, Eurodisco sounded more purely electronic, often more futuristic. Some tunes 
  21. ^ Sturman, Janet. The SAGE International Encyclopedia of Music and Culture. SAGE Publications. 2019-02-26. ISBN 978-1-5063-5338-8 （英語）. 
  22. ^ Reynolds, Simon. Bring the Noise 20 Years of Writing About Hip Rock and Hip Hop. Soft Skull Press. 24 May 2011 [2024-06-20]. ISBN 9781593764609. （原始內容存檔於2024-06-20） –透過Google Books. The 'funkless' accusation is pretty incontestable. It goes back to Giorgio Moroder, whose productions for Donna Summer pioneered the first all-electronic dance music: Eurodisco. 
  23. ^ Christopher, David. British Culture An Introduction. Routledge. 1999 [2024-06-20]. ISBN 9780415220538. （原始內容存檔於2024-06-20） –透過Google Books. Around 1977 the German producer Giorgio Moroder popularised an infectious, rhythmical, electronic dance music (later known as 'Euro disco') through the music of the American vocalist Donna Summer. 
  24. ^ David Bowie Made Me Gay: 100 Years of LGBT Music. 2017 [29 August 2023]. （原始內容存檔於2024-06-03）. The influence of Eurodisco was soon felt in America, where Moroder provided Blondie with their biggest US chart hit ('Call Me'), and Laura Brannigan would also hit Number One with a cover of the Italian pop hit 'Gloria'. 
  25. ^ DJBA电音谱：电音英雄Jamaster A（杨振龙），叱咤岂止三十年. DJBA.com. 2018-05-15. 
  26. ^ Feng, Zihan. Performing Plasticity: On Recycling, Prosthetic Memories, and the Precarious Working-Class Renaissance:—The Case of Disco Alaskan Wolves.". Journal of Art, Media, and Visual Culture. 2023. 
  27. ^ Documentary unearths personal trauma beneath ‘New Wave’ madness. San Francisco Chronicle. 2024-10-21. 

相關連結

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